Myth, Propaganda and Disaster in Nazi Germany and Contemporary America

By Stephen Sewell

Tangent Productions and Griffin Independent

Sydney 2003 & 2005

Winner – AWGIE Stage Award 2004

Winner - NSW Premier's Literary Awards - Play Award 2004

Winner - Louis Esson Prize for Drama 2004

Green Room Award - Best New Australian Play 2004

One of the freshest and most compelling productions seen in Sydney in some years.

VARIETY

Talbot
Nicholas Eadie

Eve
Margot Fenley

Jack
Andrew McFarlane

Amy
Andrea Moor

Stan
Jonathan Gavin

Jill
Victoria Hill

The Man
William Gluth

Max
Mark Constable

Margurite
Melanie Vallejo

In 2005 the production
was revived with:

Jack
Tony Sheldon

Amy
Deborah Kennedy

Stan
Richard Kelly

Jill
Sophie Gregg

Director
Christopher Hurrell

Set Designer
Jo Briscoe

Costume Designer
Karla Urizar

Lighting Designer
Stephen Hawker

Sound Designer
Basil Hogios

Assistant Director
Alisa Needham

Dialect Coach
Melissa Bruder

Production Manager
lan Carter

Stage Manager
Ali Aitken/Velalien

Fight Director
Brett Sheerin

Production Photography
Will Sheehan

Producer
Xanon Murphy/Amanda Macri

A searingly savage response to the conservative backlash from September 11, this thrilling new work asks serious and disturbing questions about the truth behind Western political, economic and philosophical values. At the same time it plumbs the depths of self doubt and fear that haunt us all as we search for identity in an increasingly alienating society.

Myth, Propaganda and Disas­ter., was written as the terrible drama of our times unfolded, from the ghastly events of September 11, 2001 through to the invasion of Iraq in search of non-existent Weapons of Mass Destruction, resulting not only in the death of at least 3,000 Iraqis, but the destruction of the United Nations and the fa­tal undermining of international law. The world we live in is now a far more dangerous place, and the terrorist crisis isn’t the only thing worrying people. What we’re worried about now is the appalling threat of unrestrained power being exercised by an administration so deeply steeped in cynicism one barely believes a single thing coming out of it. What we are worried about now is the terrible erosion of democratic principles and basic legal rights being committed in the name of democracy and justice, threatening to turn us all into prisoners of the state for our own safety. What we’re worried about now is that the freedom the war on terror is intended to protect is being crushed by the very effort to protect it. And it is not merely the hysterical or easily frightened who are concerned about such things; it’s the likes of Gore Vidal and Norman Mailer who are warning of a terrible threat to democracy in America. And if American democracy falls, Australian democracy will soon follow, for we are now well and truly within the American orbit, and standing proudly by a man whose idea of leadership is striding across an aircraft carrier in the costume of a top gun on his way to glory. These are dangerous times, difficult times, times in which the blow-torch of history is being applied to each and every one of us; and as we wither in the heat of this crucible we entering, what we need to remember is that the impurities of our spirits will be burnt away, and we will be revealed to ourselves and to our children as we truly are. Let that truth be one from which we will not wish to avert our eyes, and let us shine in the flames that are igniting our lives.

STEPHEN SEWELL

“Myth ... is a blast of fresh theatrical air in a cultural and political climate starving for it.
In Talbot, he (Sewell) has created a great, fragile hero for our time.
Sewell's potent, lucid and elegant play races along like a brilliantly balanced black comedy.
Nicholas Eadie is brilliant as Talbot.
Sewell has produced a powerful and robust analysis of the currently conservative politics of the US and a warning to Australia. Myth is not a solution to the state of the world. It is a penetrating and beautifully crafted missive to us all.”

Sydney Morning Herald

“Myth, Propaganda is one of the angriest, bravest and smartest plays written in this country from many years.
disturbing intelligent and largely breathtaking. Eadie's performance is courageous and horrifying to watch”

Sun Herald